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・ Live in Detroit (EP)
・ Live in Detroit (The Doors album)
・ Live in Detroit (The Stooges album)
・ Live in Detroit (Thor album)
・ Live in Detroit, MI
・ Live in Donny's Garage
・ Live in Dortmund
・ Live in Dublin
・ Live in Dublin (Christy Moore album)
・ Live in Dublin (Jeff Martin album)
・ Live in Dublin (Leonard Cohen album)
・ Live in East Berlin
・ Live in Egypt 1
・ Live in Eindhoven
・ Live in Europe
Live in Europe (Billy Paul album)
・ Live in Europe (Creedence Clearwater Revival album)
・ Live in Europe (Curtis Mayfield album)
・ Live in Europe (Dave Douglas album)
・ Live in Europe (Flying Colors album)
・ Live in Europe (Leo Kottke album)
・ Live in Europe (Otis Redding album)
・ Live in Europe (Rory Gallagher album)
・ Live in Europe (Transatlantic album)
・ Live in Europe 1993
・ Live in Europe! (The Fuzztones album)
・ Live in Finland
・ Live in Flint
・ Live in France
・ Live in France (Rodrigo y Gabriela album)


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Live in Europe (Billy Paul album) : ウィキペディア英語版
Live in Europe (Billy Paul album)

''Live in Europe'' is an album by soul singer Billy Paul. The album was produced by Bobby Martin and arranged by Billy Paul and Caldwell McMillan. It was recorded at Hammersmith Odeon, London and Central Hall, Chatham, England in December 1973. Released in 1974, this album reached #10 on the Billboard Soul Album chart and #187 on the Billboard Pop album chart.
==Release and Critical Reception==
Following his 1973 European tour, Billy Paul taped an episode of ''Soul Train'' on January 20, 1974. Stephen McMillian wrote: "During Billy’s interview with Don (), he mentioned that he had returned from a European tour with the O'Jays and The Intruders, stating that the response was great and very receptive. 'The most amazing thing is to see people who can’t understand your language but they enjoy your music and the sound,' Billy told Don. Several of the songs he performed on the London leg of the European tour were released on his wonderful live album entitled Billy Paul ''Live in Europe''."
On its release in 1974, Billboard noted in its June 22 issue: "The five songs on the album average eight minutes in length, but the time is taken up by extended singing, concentrating on separate parts of the material, rather than a lot of empty rapping. The excitement at Paul's London debut is palpable. Best cut: 'Brown Baby.' Dealers: Can display in tandem with new O'Jay live LP cut at same hall."
Allmusic's Ron Wynn wrote: "Paul was not a great live vocalist either as a jazz or soul singer, something that was evident on this mid-'70s set. No matter how polished or well-rehearsed the backing band, Paul's flaws couldn't be covered as smoothly in a concert setting, and they're revealed along with his strengths -- timing, a good delivery, and decent range and interpretative skills."

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